POSITION SUMMARY
An active member of Dallas Theater Center (DTC)’s Production Department, the Lead Audio Engineer is responsible for overseeing and executing the aural experience of each of our productions. The Lead Audio Engineer reports directly to the Head of Audio & Video, and is responsible for effectively supporting Sound designers, ensuring that high artistic standards are met at all times. An ideal candidate would be someone who has a strong background in mixing for live theater, is experienced with installation and strike logistics, and feels comfortable working on multiple simultaneous projects.
This is a full time, non-exempt position, which is eligible for overtime. This position includes a full benefits package optional enrollment: medical, dental, and vision insurance, DTC-paid life insurance, voluntary life insurance, 403b programs, complimentary tickets, and generous paid-time off. Nights and weekends will be required as needed throughout the season.
HOW TO APPLY
Please submit resume and cover letter via email to with Lead Audio Engineer in the subject line.
ESSENTIAL DUTIES AND RESPONSIBILITIES
• Program and operate the mixing console for plays, musicals, and other events as directed by the Head of Audio & Video.
• Assist with the preparation and execution of Audio & Video’s Load In, Tech, Load Out, and Maintenance Calls.
• Operate as Audio Crew Leader during show runs.
• Interprets and executes system designs from prepared drawings and other relevant paperwork.
• Safely rigs speaker positions, pipes, and hanging points from heights.
• Assist with maintenance of all audio equipment.
• Coordinates and communicates needs with Music, Wardrobe/Wigs, Hair & Makeup, Stage Management, Lighting, and other relevant departments as directed by Head of Audio & Video.
• Attends rehearsals, tech rehearsals, and performances as required.
• Attends and participates in production meetings, departmental meetings, and full company meets as required.
• Support the Kalita Technical Operations Manager with Audio & Video needs for renters at the Kalita Humphrey’s Theater, including mixing for rentals when available.
• Collaborate with Audio & Video staff at other theatrical institutions when organization engages in co-productions/transfers to ensure technical elements remain viable for DTC.
• Provides regular updates to the Head of Audio & Video on all areas of responsibility.
• Perform work in a manner that is consistent with DTC’s Mission, Vision, and Values.
• Be an active participant in DTC’s work towards equity, diversity and inclusion and becoming an anti-racist organization.
• Must be available on nights and weekends.
• Other duties as needed or assigned.
SKILLS AND KNOWLEDGE REQUIREMENTS
• Must have experience programming and operating large format digital mixing consoles. Experience with Yamaha and Behringer consoles is preferred. Experience with Yamaha CL5, Yamaha PM7, and Behringer Midas is desired.
• Must have experience with line-by-line mixing and theatrical cueing, including recording fader levels, VCA numbers, and sound cue numbers in a script during tech.
• Must have knowledge of digital signal processors and speakers for Meyer, d&b audiotechnik, QSC, and EAW.
• Must have experience with operating and troubleshooting wired and wireless microphones, audio cueing software, PAs, foldbacks, delays, and other standard equipment used for theatrical productions.
• Must have knowledge of standard audio and networking-for-audio cable types and protocols.
• Knowledge of basic video/camera set up for show operations viewing/conductor systems is preferred.
• Must have experience with Vectorworks, Nemesis Audio Insight, Reaper, Minotaur, Omnigraffle, QLabe, SMAART, FileMaker Pro, and Dante. Dante Level 2 Certification required. Dante Level 3 certification preferred.
• Must have basic knowledge of AVB networking and IT network management.
• Experience with Google Suite and Microsoft Office Programs preferred. • Must be able to comply with all OSHA regulations for creating and maintaining a safe working environment.
• Must have a valid US Driver’s License and be eligible to be covered by company insurance to drive vehicles.
• Able to sit, stand, and squat for extended periods. • Comfort working at heights, in dim/dark environments, and in enclosed spaces.
• Able to lift up to 50lbs unaided;
• Demonstrated commitment to equity, diversity and inclusion;
• An appreciator of theater and an advocate for its value for the community;
PHYSICAL REQUIREMENTS
? Ability to be physically present, as needed or requested, to perform essential duties
? Ability to be physically present virtually (on Zoom or otherwise), as needed or requested, to perform essential duties
? Ability to work “off-business hours” and some nights and weekends as needed and requested
EDUCATION AND EXPERIENCE REQUIRED
• Must have at least three years experience as an audio engineer or audio for theatre position. Experience in a LORT or similar scale regional theatre preferred.
• Bachelors degree in Technical Theatre with an emphasis in Sound Design or Sound Production, or the equivalent practical experience, desired.